For several years now, pundits like me have showered praise on the visionaries who mount events like International Comic-Con and SXSW.
A visit to this year’s Comic-Con in San Diego might introduce the hint of a suggestion that the popular culture extravaganza may have finally outgrown even its own image of itself.
What has always been notable about these events is that they do not just satisfy the attendees who are at the show, but create an environment in which attendees and media spread the message sponsors and exhibitors have throughout the world.
Long ago, studios and game makers started renting space in other non-Comic-Con venues, including hotels and restaurants, to display their products because there simply wasn’t enough room at the San Diego Convention Center.
This year, however, it seemed that some kind of critical mass was reached and the impression of many was that there was so much going on elsewhere that there was little need for rank-and-file attendees to pay the $220 registration fee.
If you wanted to experience a promotion for HBO’s “Westworld,” you had to take a 10-block walk away from the convention center (and plenty of fans did).
The same was true for fans of “Mr. Robot,” “Blade Runner,” “Game of Thrones,” “Pokemon” and dozens of others.
Chuck Rozanski of Mile High Comics told the Wall Street Journal he was abandoning his booth in the convention center exhibit hall after 44 years since his most devoted fans didn’t plan to be there anyway.
To be sure, the programming for the main event went on as always with fans waiting for hours to get into the highest-profile conference sessions. And I’m sure Comic-Con organizers had no problem meeting their financial goals.
However, I also know that each year now studios and game makers take a little longer and think a little harder before they make the decision about how much of their resources to commit to Comic-Con.
At what point do events like Comic-Con and SXSW lose the ability to accomplish the goals their stakeholders originally set out for them — including their financial goals?
What’s next for the events industry after Comic-Con?
Michael Hart is a conference content professional and business consultant who focuses on the events industry. He can be reached at firstname.lastname@example.org, @michaelgenehart or 323-441-9654.No Fields Found.